I freely admit that I
am obsessed with horses. I cannot
imagine being happy living without them.
There are many reasons that people (mostly women) give when asked why
they love all things equine. They are
beautiful, majestic, kind. They are
honest in their emotions; they are magnificent in their movement. As Linda Kohanov explains in The Tao of Equus, “[a] feeling of quiet
ecstasy surrounds many female riders and their mounts, as if they’ve
resurrected a lost part of themselves while galloping down the trail, as if all
the centuries that men went to war on well-trained steeds seem trivial compared
to a single moment of understanding between a teenage girl and her first bay
mare.”
A horse will give
everything it has to its partner. Of
course, so will a dog to its master. A
horse will leap in the air and run as fast as it can. A dog will launch itself onto unsuspecting
friends and sprint for pure joy. But,
the difference between dogs and horses is the difference between wrestling and
dancing.
So many of our
relationships are defined by competition and dominance. Don’t get me wrong, I can win those
competitions. In fact, I enjoy and excel
at those competitions. But there is an
extra dynamic to a dance, a give and a take that acknowledges and celebrates
the existence of each individual without requiring an averred destination or
delineation of directorship.
The reason is the horse
eschews the concept of ownership. A
horse will never sit at its owner’s feet, waiting solely to obey their every
command. They exist for themselves, and
in themselves. Part of this existence is
a true desire for limitless space, a world with no boundaries where the horizon
is not an edge but a hazy future to be brought into focus.
When I was in undergrad
in Colorado, I worked for a year at a hunter-jumper barn in exchange for a
lease on one of the owner’s horses. The
mare was six years old, semi-trained in Western and English, and not afraid of
anything. We had very little instruction
and no one to keep us in a ring, so we spent hours riding north into the
hundreds of acres of rolling plains that extended behind the farm. For most of the year, the short grass was a
crunchy brownish-green, and the air smelled faintly of dust. In the late spring, pungent flowers and horse
sweat heralded the onset of summer. Rabbits
darted back and forth under clumps of sagebrush, and the land spread out around
us until far in the distance it met with the sky. Twenty miles to our west, the Rocky Mountains
rose in an abrupt perpendicular. The
foothills came first in jagged rock outcroppings, and then the 14,000-foot
purple peaks behind them, capped in snow even in July.
| Me and the First Bay Mare, jumping (badly) |
Galloping: the ultimate
suspension
Between states of
being.
Each hoof beat, faster
Each space between,
longer
Slowing time and
freezing breath
In an instant of
silence
Lifting to flight; and
Melding to the vastness
of rough dirt.
There is a dichotomy
between waiting in breathless anticipation of paces
In increasingly vivace
staccato, running toward a groundswell of some brilliant climax
And security in the
knowledge
That the moment of pure
exhilaration is already here.
So, I threw away the
reins and ran with her. And promised
myself that one day…
*******
Excuse me, sorry about
breaking into verse there. I just can’t
help myself sometimes. Could have been
worse; could have been Natasha Bedingfield lyrics.
Anyway, let’s talk
about horses, and space, and freedom, and how much freaking fun is galloping. Because,
after bumming rides off friends and random acquaintances through high school,
undergrad, and grad school, I finally bought a horse!
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